DANIEL REEVES
  • Home
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  • Video Works
    • SMOTHERING DREAMS >
      • Obsessive Becoming
    • Ganapati / A Spirit in the Bush >
      • SABDA
      • Sombra a Sombra
  • Critical Writing
  • Essays
  • Paintings
  • Installations
    • EINGANG / The Way In >
      • The Well of Patience
      • ORIGIN
    • Jizo Garden
  • End to End
    • End to End-1
    • End to End II
    • End to End III
  • AVATAMSAKA
    • Avatamsaka - Excerpts
    • Avatamsaka - Evolution
    • Avatamsaka - Mandala Forms
    • Avatamsaka - Methodology & Process
  • Ardnamurchan
  • AYARUNA
    • Ayaruna-Crushed Angels
    • Ayaruna & Nunaayni Sept. & Oct. 2014 Photos >
      • Huachuma June 2015
      • HUACHUMA IN MAY 2014 PHOTOS
  • CONTACT
  • Dancing Backwards
  • Doctor of Joy...
  • Growing up in mostly black and white . . .
  • January 20th, 1968
  • Solstice Bear
  • HOMER

 Critical Writing Excerpted


Documentary: A History of the Non-Fiction Film

Erik Barnouw





Narratives Unfolding


Martha Langford Editor,  by Lindsay Blair from
Dalriada, the Lordship of the Isles and the Northern Rim





States of Emergency

          Documentaries, Wars, Democracies                

Patricia R. Zimmerman





                         The Subject of Documentary                             

Michael Renov




              
                  Eingang / The Way In                  

Linda Dubler, Daniel Reeves




Landscape With Shipwreck

Karen Sandlos, Mike Holbloom, Daniel Reeves




Fighting and Writing the Vietnam War

Donald Ringnalda





Space  Site  Intervention   /    Situating Installation Art

Erika Suderburg, Editor




Transnational Cinema, The Film Reader

Elizabeth Ezra  and Terry Rowden




Experimental Film and Video

Jackie Hatfield, Editor  Daniel Reeves




Images de Surface

Christine Ross




Video Art, A Guided Tour

Catherine Elwes




Memory and Popular Film

Paul Grainge, Editor




A Century of Media, A century of War


Robin Anderson





Light Readings / Film Criticism and Screen Arts


Chris Darke




Digital Baroque / New Media and Cinematic Folds

Timothy Murray





Digital Currents / Art in the Electronic Age


Margot Lovejoy




The History of Motion Graphics

From Avant-Garde to Industry in the United States

Michael Betancourt




Mining the Home Movie

Excavations in Histories and Memories


Karen L. Ishizuka, Patricia R. Zimmerman. Editors




Afterimage / The Media Art of Daniel Reeves

Patricia R. Zimmerman





Video Classics A Guide to Video Art and Documentary Tapes

Deirdre Boyle






Over My Dead Body:

The Ideological Use of Dead Bodies in

Network News Coverage of Vietnam


Bernie Cook




Stanley Kubrick: New Perspectives

Layers of Reality in Full Metal Jacket


Karen A. Ritzenhoff





Biennial Exhibition Catalog  1985


Between Film, Video and the Digital
 

Jihoon Kim


The Literariness of Media Art

Claudia Benthien, Jordis Lau, and Maraike M. Marxsen

  • Home
  • Life / Practice
  • Interview / A History of Video Art
  • Video Works
    • SMOTHERING DREAMS >
      • Obsessive Becoming
    • Ganapati / A Spirit in the Bush >
      • SABDA
      • Sombra a Sombra
  • Critical Writing
  • Essays
  • Paintings
  • Installations
    • EINGANG / The Way In >
      • The Well of Patience
      • ORIGIN
    • Jizo Garden
  • End to End
    • End to End-1
    • End to End II
    • End to End III
  • AVATAMSAKA
    • Avatamsaka - Excerpts
    • Avatamsaka - Evolution
    • Avatamsaka - Mandala Forms
    • Avatamsaka - Methodology & Process
  • Ardnamurchan
  • AYARUNA
    • Ayaruna-Crushed Angels
    • Ayaruna & Nunaayni Sept. & Oct. 2014 Photos >
      • Huachuma June 2015
      • HUACHUMA IN MAY 2014 PHOTOS
  • CONTACT
  • Dancing Backwards
  • Doctor of Joy...
  • Growing up in mostly black and white . . .
  • January 20th, 1968
  • Solstice Bear
  • HOMER